Miles Nielsen and The Rusted Hearts

Miles Nielsen and The Rusted Hearts + Split Single - Live at the Gas Lamp

SAT
NOV
14
9:00 PM
Mnr
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“There are rock n’ roll gigs like the Hollywood Bowl and “Live at Budokan.” Then there’s the homespun itinerary of Miles Nielsen, son of Cheap Trick guitarist-vocalist Rick Nielsen. He plays an ethereal mix of pop and folk-rock that travels well.”

— Chicago Sun Times

For Miles Nielsen, every experience, every conversation, every dream  is a potential song in the making.

Miles's songs breathe with a sense of yearning and ownership. You want to have another record, another song- you want to hit rewind...you want to know more about this world created in song by Mr. Nielsen  A captivating wordsmith, instrumentalist, and creator of hooks- rare indeed, but present in the person of Miles Nielsen.

There are very few people writing music that makes you immediately wish there was "more"- another song to make you turn up the volume , another nugget of melody or lyric that you can find some part of to make your own.

Gifts like Miles's come along very infrequently, and one can only hope that his ability to be so "in the now" -listening for the songs spoken in the everyday world, will continue to grow.

Then maybe that "more" we are looking for, will be given to us all... in the songs of Miles Nielsen.

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If there was an indie-rock Jeopardy! category, the following would certainly be a question: “Who is the only musician to have played with Bob Mould, Robert Pollard, Superchunk, Britt Daniel, and Telekinesis – and served as the inspiration for Dave Grohl to devote his life to playing music?” If you answered Jason Narducy for $5,000, you’d probably win that episode. “Watching Jason was the first time I thought I could start my own band, and write my own kind of music,” Dave Grohl says. “Jason totally set my life in this new direction. It wasn’t a Jimmy Page or KISS poster I had – it was fuckin’ him!” Indeed, if indie rock has a Zelig, a Forrest Gump, it’s Narducy. “Jason’s been doin’ the rock since he was a snot-nosed little punk,” Robert Pollard notes. “And I can attest from his work with me on the road that he’s got it down. And it’s not going to stop anytime soon.”

Narducy’s career in rock does prove uniquely epic upon inspection, and continues as such to this day. He first appeared as a co-founder of Verböten – one of the seminal acts in the Chicago punk scene that produced groundbreaking bands like Naked Raygun and Big Black. Narducy then went on to become frontman/songwriter/guitarist for Verbow, another beloved Windy City outfit who signed a major-label deal with Epic/Sony during the ‘90s alt-rock bubble. He followed that up with an ongoing, nearly decade-long run as indie-rock’s secret weapon – serving as bassist and backing vocalist for indie-underground icons like Mould, Pollard, and Superchunk, as well as Seattle’s indie power-pop faves Telekinesis. Now Narducy is returning to center stage as a bandleader with Fragmented World – the debut album from Split Single. A new project formed with fellow travelers Britt Daniel (Spoon, Divine Fits) on bass and drummer Jon Wurster (Superchunk, Mountain Goats, Bob Mould, Ben Gibbard, Robert Pollard), Split Single proves equal parts solo project and collective. “I liked the concept of a split single,” Narducy says. “It’s a communal thing: two bands have to work together in this handshake commitment, which then exposes each band to the other’s audience. It’s also the name of a two-stroke motorcycle engine invented at the turn of the century to be more efficient and powerful than previous engines. All those things together seemed to really reflect the spirit of what we did.”

The nucleus of Split Single came into being during a rare lull for Narducy at the end of 2011. Narducy hadn’t written new original material for eight years – until an unexpected challenge popped out of the ether: a friend, Steve Dawson, asked Narducy to do a solo set to support Dawson’s band Dolly Varden at famed Chicago venue Schubas in January. “I thought, ‘What if I wrote and played ten new songs?” Narducy says. “The show went well, and three songs I’d written for it – ‘Never Look Back,’ ‘Love Is You,’ and ‘My Eyes’ – actually ended up on Fragmented World. I was happy being a band guy, and still am – I’ve had enough day jobs to realize this is the best one ever – but I ended up writing forty more songs. I realized I had to do something with them.”

Gas Lamp

1501 Grand Ave
Des Moines, IA 50309
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